Muzzling the Leshiy - A Silencer Story

STO

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Sep 30, 2018
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Maine
Some of you may be familiar with my project to try and take the bark off my FX Crown. For those that aren't, that ongoing saga can be found HERE

After completing the big comparative test of all the common brands of moderators out there, I wanted to experiment with some more unusual moderator designs. Buoyed by my previous testing success, and presumably encouraged by the lack of complaining from people who loaned me moderators for said test, AGN user Custard stepped forward to loan me his Edgun Leshiy so I could experiment with a challenging eccentric bore moderator design. So I want to put out an IMMENSE thank you to Custard. He is an incredibly trusting and generous gentleman to ship his Leshiy across the country to a total stranger, a stranger who is clearly missing a few marbles I might add, for the purposes of experimenting with moderator design. I, for my own part, wanted to experiment with eccentric-bore moderator design, and the Leshiy looked like the most challenging platform on which to do it. So in that regard we are a match for each other it would seem. Your ongoing patience through testing setbacks is also incredibly appreciated, and so while I've expressed my thanks and such privately, I also want to very publicly say thank you and that if at any point you lose your patience with me just say the word and I'll shutter the whole project and just ship your gun back straight away no questions asked. :) 

This Leshiy chronos at 740fps w/ a JSB 18.13gr .22 caliber pellet, or 22 foot pounds using the 250mm barrel. I have no idea if this is typical or not, however developing 2/3rds of the power of a full size air rifle with half the barrel length or less is no small feat. It also uses no small amount of air, and the internal volume of the Leshiy's shroud is TINY. It also is incredibly close to the bottom of the tube, which presents yet more problems. I should also mention that, in stock form, this Leshiy is LOUD, properly loud. I couldn't stand my stock FX Crown with its barrel well away from my ear, and that thing meters, when fully erect ;) , at 254 in my most recent extended shroud test compared to the Leshiy which metered 279. (this test was done the same day as the Leshiy, same everything. It'll also be the last time I ever use the extended FX shroud as a benchmark) That is loud, especially that close to your face. Your neighbors will notice, particularly if you're near sound-reflective surfaces..... like a house. 

1555172215_16773485635cb20b7782d500.86374799_IMG_20190402_135124062.jpg


1555172241_2996757025cb20b91298a67.38140011_LeshiyStock.png


Leshiy Stock Core - 279

The stock Leshiy moderator is a fairly conventional design from the firearm industry, one which relies on cross-jetting in order to function. Given the air-blast we’re dealing with here, it is difficult to say how effective such a design could be, but I have a hard time imagining it is highly effective. As I said, such a design leans on cross-jetting in order to function efficiently, however in this case the angled baffles are both dished and in opposing directions, both of which should limit the design’s efficacy. Furthermore, were it to provide a substantial amount of cross-jetting, it would destabilize the delicate Diabolo pellets we use, so again I can’t imagine it to be that effective.



So what have I come up with to test? Well given that this is round one, the answer is a whole bunch of different things. The purpose of all this is a “scattergun” approach, where you try a bunch of different things and see what seems to work best. From there you have what you need to begin optimizing with purpose, rather than randomly. I will provide a brief overview of the philosophy of each design as well as a rendering below. But there is another catch. I do have an indoor anechoic chamber I set up a couple testing cycles ago to work on the Crown. This is where I like to do optimizing as I can rapid-prototype a design and then quickly test it, and then further tweak the design. The speed of this feedback loop was critical to the rapid design improvement seen in the design which ultimately came to be known as the Levitas. The probem? The action on the Leshiy is so noisy that the not-really-anechoic chamber doesn’t produce good data, it produces garbage. Say bye bye to the rapid iteration process. :(

And there is another thing: I generally use a rubber damper with cores, as in other platforms it has very well proven efficacy. Unfortunately it does eat some volume. On a lark I decided to do one core test which was otherwise identical but omitted the rubber damper, basically an apples to apples comparison of “does this work.” As it turns out, that was the only core which metered quieter than the stock Leshiy core, definitively answering the question of whether or not the rubber damper belongs in this design. It doesn’t nullify the relative performance of the other cores, they can still be compared to each other, however it does explain why they were all louder than stock.

Worth noting are some general characteristics you’ll see repeated over and over again as they’re specific to this application. Visible at the left is the part which grips and justifies the rear of the core around the barrel. Minimalism is the name of the game here, anything that isn’t working is just wasted volume, so cut it out eh? Longitudinally there are struts to maintain the core’s structure. These maintain strength and alignment while helping to disrupt pressure waves in the shroud. I believe they’re a better design option than doing a full tube enclosure design, all else being equal.



1555174155_12655488735cb2130bb25079.55090466_2019-04-012013_17_29-Window.png


1555174088_11995702525cb212c8dbfe69.66626221_Single Diode.png


Single Diode - 382

So lets get the obvious out of the way, this is an attempt at an adaptation of the Levitas to the Leshiy. There is an offset blast baffle followed by an eccentric gas diode followed by a skeletal structure to which sound damping material is attached. I’ll be curious to see if it beats the stock moderator, however in this application it almost certainly will not do well compared to the other designs. Why do I say that? The Levitas was optimized on a gun which produces only 1/3rd more power but does it using a barrel which is twice the length, and with the benefit of a shroud’s worth of reflex volume which is considerable. This means the ratio of flow-delaying to sound damping is not even close to proportionate for this design. Never the less it will be interesting to see. Another point of concern here is the fact that the diode really doesn’t actually have much area to operate, and so there is a real possibility it just won’t act like a diode in this form factor.

In short, this didn’t work, clearly. I’m not sure I was expecting it too, but this is why we test things right?



1555174273_19739953885cb2138123b0b5.70789762_2019-04-012013_15_31-Window.png


1555174512_21214819815cb214708a8c24.41784811_Double Diode.png


Double Diode - 324

The gas diodes, particularly the eccentric ones, are big. No two ways about it. If they work at all though, in this application two may be better than one? Anyway that was the hypothesis of this core. Again I have no idea if this eccentric of a bore will allow the diode to function at all, so this may be a total flop, but it is worth a shot anyway.

So this clearly worked better than the single diode, and actually was the third best experimental core. However in this application the diodes simply take up too much space and are not as efficient probably because of their eccentric design. It is possible this can be adapted to work better, but for the time being it is being abandoned.



1555174305_8988133445cb213a1837c39.98903606_2019-04-012013_18_10-Window.png


1555174523_11007054985cb2147ba461b3.24887463_conical foam.png


Conical three baffles - 315

The conical baffle is as old as calling them “silencers,” dating all the way back to Hiram Percy Maxim and the first ever commercial silencer. They’ve been working well for over 100 years, why dismiss them now? This uses three reasonably spaced offset conical baffles while still allowing room for sound damping at the terminal end of the core.

This was the best test which had the rubber damper, and designs will likely evolve outward from here. Clearly a combination of flow delaying and sound damping are desirable, even in systems as space-constrained as this. Had I tested this without the rubber damper, my expectation is that it would have been solidly the best performer here.



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1555174552_11138849565cb21498b0e065.36270524_four baffle no rubber.png


Four Conical - 357.5
Four Conical NR - 232


This is another design split, asking the question about ratio of flow delay vs. sound damping. This is also the core of which I did the with and without rubber comparison test on. I don’t expect the no-rubber variant to perform well, but it is always worth double checking your assumptions.

The results are stark. While the four conical baffle design was kind of in the middle of the pack, performance-wise, the sans-rubber variant was a runaway leader, beating all the other designs including the factory Leshiy core by a comfortable margin. That is quite an accomplishment given how mediocre this core is compared to the other architectures tested here. Clearly there is a great deal of latent potential to unlock. And that is good, because this test was only slightly quieter than an FX Crown with the factory shroud extended. (that meters 254, also with sustained noise)



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1555174576_6504212785cb214b01de561.58789715_Dense Conical.png


Six Conical Baffles - 419

And the ultimate expression of flow-delaying, as that is pretty much all this design is. 6 unequally spaced conical baffles. If you recall, all the way back at my earliest tests, this design language worked very poorly on the Crown. Hell, it worked very poorly in the big test, just look at how the small Wolf Airguns? moderator performed. But this is not that, so as with all things you turn the dial past where it should be to better know where the happy medium is. I’m writing this before having tested it, however I’m fully prepared to eat my hat if this design is best.

Thankfully, my hat remains safe….. at least for the time being. This was in fact the loudest design tested this day. So there is the answer to the question nobody was asking: what does too many baffles look like?





So if you're looking for a TL;DR of what does this all mean, the answer is that none of these designs are optimized, and I didn't expect them to be. This is just the first round of testing. I did learn an incredible amount though, and I'll wrap what I learned up into another series of revisions.

For those who are interested, subscribe to this thread, I'll keep updating it as I develop and learn new things. :) 




 
If the purpose of the multiple baffles is to slow down the air, wouldn't creating more surface area create more drag?

https://www.sciencelearn.org.nz/resources/308-feathers-and-flight

The baffling could look like a larger version of a feather cross section. With the cross hatch pattern at an angle to the flow of air, I would think that each baffle would be much more efficient. Alternating the baffle angles would force the air to change direction twice..once when hitting the leading surface and again as it traveled through the baffle "honeycomb".

IDK..probably a crazy idea.
 
If the purpose of the multiple baffles is to slow down the air, wouldn't creating more surface area create more drag?

https://www.sciencelearn.org.nz/resources/308-feathers-and-flight

The baffling could look like a larger version of a feather cross section. With the cross hatch pattern at an angle to the flow of air, I would think that each baffle would be much more efficient. Alternating the baffle angles would force the air to change direction twice..once when hitting the leading surface and again as it traveled through the baffle "honeycomb".

IDK..probably a crazy idea.

Interesting idea. I'm going to think about how I could model this. Does it affect your thinking at all to know the surface is already ribbed as it is 3D printed? You're almost certainly right though about more surface area, as firearm suppressors increase their sound attenuation when they're dirty. Or did I completely misinterpret your suggestion? 





The alternating angle though, in this case, may not do what you think. The baffles themselves are actually symmetrical where the pellet enters, and the reason for this is to prevent cross-flow which can destabilize the delicate little pellet. They only become asymmetric higher up in order to encourage the air to fill the large open space above the bore, basically to allow it to be efficiently used. 

But lets break it down into a more simple angled baffle system, such as you see on the Silencerco Osprey or Liberty MysticX:

1555246656_3795685815cb32e40a63341.55021226_wvmc7lf1jtd01.jpg


1555246574_20560131595cb32dee051997.26290834_MysticX.jpg


What happens in a simple angled-baffle core like this, and why don't they alternate the angles, especially in the Liberty which is a symmetric bore design? 

So in the Osprey (top image) the bullet is moving from the right to left. In the Mystic (bottom image) the bullet is moving from left to right. In both cases most people would expect that angled baffle to drive gasses upward. The question though is less what happens to the residual gasses which have already been stopped by the baffles, and more to do with what is happening to the gas flowing through the opening in the baffle. The somewhat counter intuitive answer is that the baffles bend the gas downward in both pictures, in the opposite direction you might expect. This downward bending of that flow helps the gas impact the next baffle in an area which is NOT the bore-hole, but it only manages to bend it a little, not completely out of the bore path. So, arriving at the next baffle, you have a choice: continue to bend the flow in the direction you've already bent it, further out of the bore path, or try bending it back in the opposite direction now. As it turns out, it is more efficient to continue bending it in the same direction, which is why you see this repeated everywhere in the suppressor industry. Even on clipped conical baffles, they always roughly line up the cutouts. Why? Because they too act to bend the flow, and if they are all aligned they bend that flow further and further out of the bore path catching progressively more of it on the next baffle, and that just is more efficient than trying to change directions. This is, plus packing efficiency, are why you relatively rarely see angled baffle configurations with direction changes in the silencer industry. I hope that explanation made sense. :) 



Leshiy factory baffle isnt too bad then relative to the tested options sans one. Especially from a complexity/effectiveness standpoint ie its not complex but is effective for its envelope. I have a longer extension on mine and it seems to moderate a bit better as well. 

Regards, 

DT

Oh the Leshiy's factory core design is brilliant from a manufacturing perspective. Being made in what looks like a two-part injection mould probably went a long way to keep the price down. And you're absolutely right that the reflex volume of using the extension will help both both because the muzzle pressure will be lower and you simply have more volume in which to absorb all that air. 

That said, this was just round one, and you'll note I made a big error using that rubber damper in every test except one. Had I excluded the rubber from all the tests, my best design probably would have been around 190, which is a considerable improvement over the factory core's 279.... and this is only round one. I try to design silencers the same way I solve problems, which is to say minimize the number of different factors at play, and each time change only one thing. It means I'll never get the answer on the first try, but the purpose isn't to solve it immediately, the purpose is to figure out what is working, why it is working, and most importantly what direction to go in.

Put another way, what I learned is more important than what I achieved: now that I know the answer is a conical three baffle with moderate spacing and NO RUBBER. From here I can tweak little bits and pieces with the baffle designs and damper areas to hopefully gain even more ground. I would like to get it down below 100. We'll see what is possible. :)



The point of this post wasn't the conclusion, it is just one step in the adventure. :) 


 
If memory serves the Prodigy is one of their older designs. Brittingham is neither as brilliant as his supporters like to believe, nor as incompetent as his critics like to claim. While the Prodigy was marketed as revolutionary, B&T was way ahead of that curve. My point? It could be just dumb luck/design/coincidence/whatever. Just one flip probably doesn't have a huge impact on sound attenuation. If I had a guess though, I'd say he probably did it to balance out the POI shift somewhat. The blast end will cause more POI shift, while the distal end will cause less. So two on one side plus that assymetric blast chamber entry probably balances the 4 on the other to some extent. *shrug* Just a guess. 
 
If the purpose of the multiple baffles is to slow down the air, wouldn't creating more surface area create more drag?

https://www.sciencelearn.org.nz/resources/308-feathers-and-flight

The baffling could look like a larger version of a feather cross section. With the cross hatch pattern at an angle to the flow of air, I would think that each baffle would be much more efficient. Alternating the baffle angles would force the air to change direction twice..once when hitting the leading surface and again as it traveled through the baffle "honeycomb".

IDK..probably a crazy idea.

Interesting idea. I'm going to think about how I could model this. Does it affect your thinking at all to know the surface is already ribbed as it is 3D printed? You're almost certainly right though about more surface area, as firearm suppressors increase their sound attenuation when they're dirty. Or did I completely misinterpret your suggestion? 





The alternating angle though, in this case, may not do what you think. The baffles themselves are actually symmetrical where the pellet enters, and the reason for this is to prevent cross-flow which can destabilize the delicate little pellet. They only become asymmetric higher up in order to encourage the air to fill the large open space above the bore, basically to allow it to be efficiently used. 

But lets break it down into a more simple angled baffle system, such as you see on the Silencerco Osprey or Liberty MysticX:

1555246656_3795685815cb32e40a63341.55021226_wvmc7lf1jtd01.jpg


1555246574_20560131595cb32dee051997.26290834_MysticX.jpg


What happens in a simple angled-baffle core like this, and why don't they alternate the angles, especially in the Liberty which is a symmetric bore design? 

So in the Osprey (top image) the bullet is moving from the right to left. In the Mystic (bottom image) the bullet is moving from left to right. In both cases most people would expect that angled baffle to drive gasses upward. The question though is less what happens to the residual gasses which have already been stopped by the baffles, and more to do with what is happening to the gas flowing through the opening in the baffle. The somewhat counter intuitive answer is that the baffles bend the gas downward in both pictures, in the opposite direction you might expect. This downward bending of that flow helps the gas impact the next baffle in an area which is NOT the bore-hole, but it only manages to bend it a little, not completely out of the bore path. So, arriving at the next baffle, you have a choice: continue to bend the flow in the direction you've already bent it, further out of the bore path, or try bending it back in the opposite direction now. As it turns out, it is more efficient to continue bending it in the same direction, which is why you see this repeated everywhere in the suppressor industry. Even on clipped conical baffles, they always roughly line up the cutouts. Why? Because they too act to bend the flow, and if they are all aligned they bend that flow further and further out of the bore path catching progressively more of it on the next baffle, and that just is more efficient than trying to change directions. This is, plus packing efficiency, are why you relatively rarely see angled baffle configurations with direction changes in the silencer industry. I hope that explanation made sense. :) 



Leshiy factory baffle isnt too bad then relative to the tested options sans one. Especially from a complexity/effectiveness standpoint ie its not complex but is effective for its envelope. I have a longer extension on mine and it seems to moderate a bit better as well. 

Regards, 

DT

Oh the Leshiy's factory core design is brilliant from a manufacturing perspective. Being made in what looks like a two-part injection mould probably went a long way to keep the price down. And you're absolutely right that the reflex volume of using the extension will help both both because the muzzle pressure will be lower and you simply have more volume in which to absorb all that air. 

That said, this was just round one, and you'll note I made a big error using that rubber damper in every test except one. Had I excluded the rubber from all the tests, my best design probably would have been around 190, which is a considerable improvement over the factory core's 279.... and this is only round one. I try to design silencers the same way I solve problems, which is to say minimize the number of different factors at play, and each time change only one thing. It means I'll never get the answer on the first try, but the purpose isn't to solve it immediately, the purpose is to figure out what is working, why it is working, and most importantly what direction to go in.

Put another way, what I learned is more important than what I achieved: now that I know the answer is a conical three baffle with moderate spacing and NO RUBBER. From here I can tweak little bits and pieces with the baffle designs and damper areas to hopefully gain even more ground. I would like to get it down below 100. We'll see what is possible. :)



The point of this post wasn't the conclusion, it is just one step in the adventure. :) 




The idea would be something like this..sloped like you have the current baffle design..and with the honeycomb pattern being smaller so there would be more holes..

1555389003_4690932205cb55a4b205fc3.91968122_zHoneycombDisc.png


Maybe the pattern would cause too much turbulence?


 
>>And the honeycomb would be open at the back, or closed? As in would the baffle be made of honeycomb or simply have honeycomb on its blast face? 

If open, the air would be slowed and forced to change direction..downward assuming the baffles were tilted forward. Not sure if this would create a turbulence issue or if the air would be slowed enough that the pellet would already be past? The idea of the honeycomb was just to create surface area..to create more drag..to slow the air. A square or round hole could be used..a probably be easier to 3D print..but in theory, the honeycomb structure would be stronger..not sure if that matters.

If closed the air would be trapped temporarily on the breech side. Maybe you'd have a combination of closed and open honeycomb so some would trap and some would allow the air through.

If the holes were open, you'd have to make sure the holes on the muzzle side of the baffle were larger than or the same as the breech side.. \-/ or |-| and not /-\ ..so there wouldn't be a venturi effect where the air was compressed and sped up.




 
I'm going to have a sit and think about this, both in terms of what effects it might have and how I could go about both modeling it and manufacturing it. Hexagonal holes are no harder to print than round ones, but getting it to be printable with the overhangs is a different challenge entirely as the structure becomes very flexible and delicate and you lose the support of doing continuous overhangs. 
 
Cool stuff. Real quick, I may have missed it, but what is the sound signature of the Leshiy w/o the moderator (open barrel). I am sure its damn loud 😁

Regards,

DT

Hahaha. Good one! No such trace. It'd probably not look terribly dramatic though because I'd have to adjust the scale significantly and there would be less post-uncorking noise, so it likely wouldn't look like very much at all. 
 
Leshiy testing round 2

So round one established primarily two things:
1) putting rubber in the shroud takes up precious volume and actually makes them considerably louder.

2) the general spacing and number of baffles, which is to say 3 or 4.



Given that the name of this game is testing baffle design, I opted for a 4 baffle design in the hopes I could improve baffle efficiency. Foam integration was done in between baffles, in the mostly “waste space” at the inside top of the shroud, rather than in a separate end-terminus section. This resulted in four simple designs. The idea here is that, once the basic baffle configuration has been affirmed, you want to play around with various little tweaks in an attempt to further optimize sound attenuation. And that is what is happening here. Some failures are expected, but this is a key part of the purpose of experimentation. Keep in mind the point here is to only introduce a single variable in each design, this way causality is obvious.



One other noteworthy thing here is that I messed up the captures for the long trace seen above the detailed trace. As a result you can see equidistant from before to after the trigger. The result shows something else very interesting: all the noise the gun makes BEFORE the pellet exits the front of the moderator. Cool huh?



1556647448_1002044415cc88e18cd3249.68151055_Leshiy Stock.png


Factory – 227.3 – This is the factory shroud insert, tested again as it is the perpetual benchmark. It makes both a high peak and sustained sound as loud as the uncorking sound. Sometimes this can be an indicator of optimization.





1556647541_19731540325cc88e7522ca36.78360318_2019-04-26 00_48_10-Window.png


1556647464_6414642795cc88e288afa81.39165223_Leshiy Conical.png


Control – 158.6 – Four baffles, flat faced, symmetric, the end. This is the vanilla designed to be a benchmark for what a more efficient eccentric conical design can/should be. And it performs okay, in that you can tell it is quieter than the factory insert.





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1556647476_8745881005cc88e347ef625.55959522_Leshiy HBV.png


Enhanced Blast Chamber – 172 – Four baffles but with the entire chamber separated into two sections. The bottom section houses the baffles. The top section is open and houses a little damping foam, but primarily is there to act as an expansion area/pressure reservoir for the muzzle blast. The idea was that maybe a large initial chamber would take some of the load off subsequent baffles and better attenuate sound. The baffle design is otherwise identical to the control. As you can see, it clearly didn't work. What is more interesting in its not-working is how it ramped up in sound. So the blast volume did work, capturing the air temporarily, it just made quite a lot of noise subsequently releasing it. (and all the traces look like this) It also looks like it made a pretty solid ~6kHz in doing so, which is well within human hearing range. As you might have guessed, that is annoying. Don't believe me? Have a listen to this:

https://youtu.be/iBf2BITwqhY





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1556647486_13304730975cc88e3eb1bc38.53864741_Leshiy high cross.png


Major asymmetry – 144 – Four baffles with an opening aggressively angled upward to induce the air to fill the top of the shroud. This design likely will introduce unacceptable turbulence, but is a worthwhile point of curiosity. It does perform better than the control, but not by a huge margin. I actually had higher expectations for this design. But this is why you test: you just don't know what is going to happen until you try it. It should be noted that this design was probably the quietest post-peak, however it just couldn't get that peak down.





1556647591_17006872555cc88ea7f24176.64615648_2019-04-26 00_47_06-Window.png


1556647495_3456925015cc88e47af0b52.06285568_Leshiy Pinch.png


Bilateral symmetry – 146.6 – Four baffles with a design loosely based off the old LIM moderator core from the earlier days of my airgun moderator experiments. The idea is that bilateral symmetry is maintained, however cross-flow may improve sound attenuation. Again it worked, beating the control, but audibly wasn't the best design here. Like the factory shroud it brings the uncorking sound down, but makes a fair bit of noise subsequent.





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1556647507_20060189115cc88e5359e6b0.22725392_Leshiy Cross.png


Tilted conical – 115 – Four conical baffles with the mouth ever so slightly angled upward. This should induce the air to fill the top of the shroud more efficiently, and indeed it appears to do exactly that. This design was noticeably quieter than all the others, it really worked a treat, it sounds great. So, much to my surprise, I think I have a winner here in this round. And looking at the trace, it really does look good.



So what is next? Well there are a couple little changes I want to make to optimize sound attenuation, improve printability, ensure compatibility with the 350mm extended barrel/shroud thingy, and of course I want to do a finished version in 20% carbon fiber reinforced nylon. It is much much more durable than PLA and much more solvent resistant than these ABS test cores. I also want to do some experiments with the endcap to make it a little more visually appealing. Once that is all done I'll do one final test check on accuracy and sound attenuation, and then I guess it is a wrap. I don't want to prematurely take a victory lap here, but my stretch-goal was to get the Leshiy down to 100 and it looks like I've essentially arrived. It is actually about the same peak as a DonnyFL Sumo on an FX Crown in .22 (which metered at 108 avg. in my test) so that is pretty good in my book. Now I just have to confirm compatibility and make it look pretty.
 
279 to 115 is a staggeringly impressive reduction, especially in this form factor. I’d imagine (or hope at least) that the reduction is even more prominent at lower power levels. Although as your work shows, there’s rarely a linear relationship. Fingers crossed though!

Thank you. 

The .22 is in the middle, less power than the .25 but more power than the .177. At the moment, maximum performance appears to be derived from air-handling, and I'm just fitting in damping where I can. This suggests it should translate very well to the .25, as the limiting factor really is space. It shouldn't perform poorly on the .177, but it remains to be seen if a bit of extra sound attenuation could be found by cutting out the last few baffles and adding sound damping. Either way, I wouldn't expect this design to be loud on the .177. 
 
So this project had a bit of an up-and-down. As I mentioned before, this Leshiy is here by the grace of a very generous AGN user who goes by Custard. These cores are 3D printed, prototypes are done in ABS simply because it is easy to use and inexpensive. They also don't have to print perfectly, because they're just tests after all, and on all my designs I use a series of precision reamers to ensure the bores are precise and consistent. For a finished version to put in Custard's gun and ship back to him, I want a perfect print and I want to do it in 20% carbon fiber reinforced nylon. This material is, in my humble opinion, one of the best possible options for silencer cores as it is very strong, light weight, solvent resistant, and impact resistant. It really is fantastic stuff. I should add that Glock's “magical” polymer frames are also made of nylon, it really does have great material properties.

So what happened and why am I mentioning all this? Well as you'll recall the previous test results were excellent. The small wrinkle was that there were a few little print flaws here and there which ought to be resolved before moving to nylon and printing the “final” core. So I made a couple little tweaks to fix the print issues, and confidently printed out a carbon-nylon core. Putting it in the gun I was expecting quietness..... which is not what I got. By ear I could tell it just wasn't right, way too loud. I didn't even need to meter it. I was more than slightly disgusted that just a few minor design tweaks had caused such a performance shift, I mean really. I would later meter this core, just for giggles, and discover it was averaging 155. NFG.

So this launched a frenzied, and not well documented, series of design tweaks and tests to try and figure out where the magic went (the original test core worked just fine, and still metered in the mid-teens) and how to get it back. Yes, silencer design can be just this annoying and fickle. This process resulted in a dozen small tweaks, and ultimately the loss of a baffle which circles nicely back around to the original test which, turns out, also performed better with just 3 baffles. Go figure. So, below, is the final series of confirmation tests on this project. And the rifle is already on its way back to Custard.



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Factory Leshiy Configuration – 260.3
It is loud. We've been here. It is also inconsistent, unusually so, sometimes throwing numbers down in the hundreds other times throwing numbers over 300. In all my testing the highest number it ever threw was 364, the lowest 196. The average from the entirety of testing was 256.8, and the standard deviation 41. If you're wondering though why some test are a little high and others are a little low, this is why. That inconsistency means if you're only pulling 3 shot averages one shot low or high can really skew things. I feel this total average is very representative of the gun's capabilities in the factory configuration.



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Final rev. core – 112.0
I lost a baffle here. I also lost 3 points off the average of my previous best test. I'd consider that insignificant though because, even though this is an average of 8 samples, the standard deviation was 11. It is, to my ear anyway, a significant improvement in sound attenuation so I'm happy with it. I didn't quite crack 100 (average) as I'd hoped, but I also don't want to spend another two months fighting for those last few points. There is also something else......



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Extended Shroud/350mmBBL – 87.0
Before I dust off my hands, declare victory, and go home I wanted to test this configuration, not just confirm assembly/fit. Turns out, it works well and comfortably cracks the 100 mark. Standard deviation was even 6.8. Being slightly less volume constrained obviously helped, but the other thing I did was take a special cut piece of foam that fits inside the spacer/shroud and around the barrel, and shoved that all the way to the back of the shroud. This way, as I learned testing on the Crown, sound would be less apt to reflect up and down the tube. And, thanks to my core design, the damper is essentially “built in” as it comes in contact with an angled rather than flat face.

So there it is, the Leshiy and new core are on their way back to Custard as we speak, along with my sincere thanks for letting me have a play with this system..... and thats enough of highly eccentric volume constrained systems for a while now. :p

I hope this was an interesting/informative/entertaining/something read for people. :)